THE 5-SECOND TRICK FOR TOPAN TOTO

[55] Leonard Barkan in comparison the posture of Michelangelo's marginalia self-portrait for the Roman sculptures of Marsyas Bound within the Uffizi Gallery; Barkan further connects the flayed Marsyas with Michelangelo's purported self-portrait decades afterwards the flayed pores and skin of St Bartholomew in his Previous Judgment but cautions that